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Oral Storytelling
Wish You Well is an oral
history. All of us have our own stories to tell, our
own oral histories. Have each student tell a partner
a story that is personal to him/her. Once each story
is told and heard, have the partners write each other's
story and share them with the class.
This activity can be used as a pre-reading
strategy to introduce what oral storytelling is and
how Baldacci has written his book.
Letter Writing
Have each student choose one character
from the novel, and have that character write a letter
to another character, discussing some kind of situation
or issue connected to what happens in a particular chapter.
For example, a student might choose Lou and as Lou,
writes a letter to Billy Davis after her fight at school.
Remind the students that their main goal in writing
these letters is to assume the persona of the character
they choose.
Courtroom Drama
This is a forceful activity to do
before students reach the end of the book. Re-enact
the courtroom scene. Assign the class specific roles
- jury, lawyers and other characters in the scene, judge,
observers. Have each lawyer (Cotton Longfellow, Thurston
Goode) provide opening statements, providing support
from what has already happened in the novel. Have the
jury then make a decision as to what should happen to
Louisa's land and the children. Then have the students
finish reading the novel. Discuss with them how the
outcome in the novel was similar or different from what
their re-enacted trial predicted. Have each member of
the jury turn in a written response regarding his or
her opinion of the trial.
Creative Writing
Have the students go to the New Deal
Network Library: http://newdeal.feri.org.
Have them click on "Photo Gallery," then scroll
down to "Photo Series" (under "Miscellaneous"),
then click on "WPA photoessays," then "Haysi,
Virginia." Ask each student to examine the photos
of Haysi made in the 1930s, choose one that interests
him/her, and print it out. Ask the students to study
their pictures and use them as the basis for creating
a short story, vignette, short dramatic scene, or poem.
Dramatizing
After the students have read the
novel, divide the class into groups and have each group
rewrite a scene (their own choice or assigned) from
the book into play form. Once the scripts are completed,
have each group present its dramatization to the class.
Below is a rubric to help the teacher and/or class assess
the performances:
| Group Members: |
Rating
(Scale 1-10)
low - high |
| The group included the required number
of performance elements in the presentation. |
|
| Every member of the group made an
oral contribution to the presentation. |
|
| The group worked together to present
a cohesive presentation. |
|
| The presentation accurately reflected
the scene from the book. |
|
| Group members spoke loudly and clearly
enough to be heard by the entire audience. |
|
| Group members often made eye contact
with various members of the audience. |
|
| Group members performed in a dramatic
and effective style. |
|
| Group members performed with confidence. |
|
| Group members held the attention of
the audience throughout the presentation. |
|
| The group's presentation informed
and entertained the class. |
|
| TOTAL |
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Character Bone Structure
This study helps students understand
the physical and psychological background/makeup of
the novel's characters. Have the students choose a character
and then find and copy passages from the book that illustrate
all or some of the following:
- Physiology - the character's appearance
and outward attitude.
- gender
- age
- height & weight
- color of eyes, hair, and skin
- posture
- appearance (dress)
- defects
- heredity
- Sociology - the character's home
location, type of job, family life, financial status,
and how he or she spends free time.
- social class
- occupation
- education
- home life
- religion
- place in community
- political ambitions
- amusements, hobbies
- Psychology - how a character acts
because of attitude, the mental state of the character,
and reasons for the character's actions due to attitude
- moral standards
- personal ambitions
- frustrations (big and small)
- temperament
- attitude towards life
- complexities
- extrovert, introvert, or ambivert
- I.Q.
Making a Quilt
Instruct each student to interview
a family member about his or her family's history. Encourage
him or her to tape the interview and then transcribe
it on paper. Once the interviews are completed, the
class should do one of two activities:
- Create individual "quilts" that reflect
each student's family's history by dividing a poster
board into even squares and decorating each square
with pictures or symbols.
- Create a real quilt that reflects the oral histories
of the whole class. This will involve having each
student create a quilt block design on a square of
paper and then transferring the design to a square
of muslin. The muslin blocks are then sewn together
with a lattice to create a quilt for the class. Consult
local quilters or a quilt shop for ideas that will
expedite this project. Ask for help from the school's
Family Living (Home Economics) Department.
Once the poster-board "quilts"
or the actual quilt is finished, have each student make
an oral presentation to the class about his or her family.
Rewriting: Point of View
Have the students rewrite an incident
in Wish You Well from another character's point
of view.
Comparing Names
Have the students compare selected
passages from Wish You Well that reflect the
voices of the children in the novel with similar passages
from one or more of the following novels: To Kill
a Mockingbird, The Member of the Wedding,
Ellen Foster, Catcher in the Rye.
Looking for Archetypes
Discuss/define character and situation
archetypes. Show students how to search for these in
Wish You Well. Then have the students locate
and note several of these in the novel.
Making Signs
In Wish You Well, David
Baldacci provides vivid images of life in the Appalachian
mountains. The signs read by Lou indicated that they
traveled through Dickens and Tremont and over the McCloud
River before reaching the home of Louisa Mae Cardinal.
Have the students draw pictures/maps of the area surrounding
the Appalachian mountains. Have them separate their
maps into thirds and draw "signs" (symbols)
in appropriate places to represent the differences each
area possesses. (For example, an automobile dealership
is found in Dickens. Thus, one could draw an auto dealer
sign there.)
Identifying Figurative Language
When an author uses figurative language,
the speech is very vivid. Usually, the author uses similes,
metaphors, or personification. Remind students that
- a simile is a figure of speech
that compares two dissimilar things by using words
such as like, as, or as if
- a metaphor links two unlike things
directly without using words such as like,
as, or as if
- personification is a technique
that gives human attributes to something that is not
human.
Have the students find examples of
Baldacci's use of figurative language, copy the phrases
exactly as they are written in the novel, and then indicate
whether each phrase is a metaphor, a simile, or personification.
The simile contained in the sentence, "This curious
pairing struck Lou as akin to fine pants over filthy
boots," is an example that can be provided to students.
Looking for Irony
Discuss with the students the two
types of irony to be found in literature: situational
irony and verbal irony. Situational
irony occurs when something happens in the story other
than what the reader is led to expect. Verbal irony
occurs when there is difference between what people
say and what they intend to say. Write this sentence
on the board: "The character of Jimmy 'Diamond'
Skinner is an example of irony at its best!" Have
students validate this statement by finding supporting
information from the novel.
Speaking Appalachian
David Baldacci writes several phrases
used by people who lived in the Appalachian region at
the time of the story of Wish You Well. In
order to determine the meaning of these words/phrases,
careful attention has to be given to the surrounding
words (context clues). Have students find at least ten
words or phrases from the novel that are unfamiliar
to them. Ask them to use context clues to write definitions.
An example to provide to students is milk fever - a
cow that is heavy with milk. (See the vocabulary strategy
"Context Clues
and Idiomatic Expressions").
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